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Brazil: The Cultural Contemporary at the Royal College of Art

The Royal College of Art in London held on January 21st 2011 the one-day conference “Brazil: The Cultural Contemporary”, featuring design writer and curator Adélia Borges as the keynote speaker, Calouste Gulbenkian Foundation scholar Frederico Duarte, educator Kiki Mazzuchelli, graffiti specialist Tristan Manco, and Cristiana Tejo, coordinator of Education at Fundacão Joaquim Nabuco in Recife.

Lobo featured on Creative Review’s “The Annual”

The April/2009 issue of CR features The Annual, showcasing the best work of 2008. CR goes through the process of how Lobo’s wonderful hand-crafted title sequence for Brazilian TV series “Capitu” — a Brazilian TV mini-series adaptation of 19th-century novelist Machado de Assis’ work, Dom Casmurro — was made:

Rogério Duarte exhibition in Australia reviewed by UK’s Grafik magazine

UK monthly graphic design magazine Grafik features a review of Rogério Duarte’s exhibition in Australia in its issue #180.

Fabio Sasso featured in the “world’s top 20 web designers” by .net magazine

What makes a world-class designer? It’s a simple question and yet once we started compiling this list we realised it’s not at all simple to answer. Is it about pushing boundaries or holding fast to traditional principles? Should the body of work be judged on aesthetics or usability? Is fame or notoriety important, or just a distraction? Ultimately, .net tried to balance all these considerations and more, and picked 20 figures who we all feel act as a beacon of inspiration to web builders everywhere: A graphic and web designer from Brazil, Fabio is co-founder of design studio, 3YZ and can also be found at www.abduzeedo.com, a blog recording his ventures through the design world [...]

Brazilian design featured on Computer Arts Magazine’s “Viva Brasil” article

By producing work rich with feeling and a growing sense of sophistication, Brazil has begun to turn up the creative heat. According to Computer Arts magazine, the world of graphic design is waiting to see what happens next [...]

Brazil outsourcing industry featured in Design Council Magazine’s “The Latin American renaissance” article

Brazil’s productivity growth outstrips the US and Mexico is rivaling India for outsourcing. Rhymer Rigby says Latin America’s emergence is built on quality and creativity. Check out what else did Design Council Magazine said about Brazil’s economy [...]

Interaction South America ’09: São Paulo, Brazil

The Interaction Design Association (IXDA) is pleased to announce the 1st regional conference of Interaction Design Association (IxDA): Interaction’09 | South America, which will happen on 26,27 and 28 November at 9 am to 18 pm, in São Paulo. The purpose of the event is to encourage and work with the education of interaction design in Latin America, so has the support of several institutions of higher education, promoting greater visibility for professionals engaged in the development of interactive solutions.

Movements: O Gráfico Amador

Aloísio Magalhães, while still attending law school in Recife (the capital of Pernambuco), had already begun to show his fascination with graphic arts. Coincidentally, a famous cousin of Magalhães, the renowned Brazilian poet João Cabral de Melo Neto, moved to Recife at that time. This cousin strongly encouraged the two young artists to open their own private print shop. Magalhães became excited about the idea of setting up a print shop and they sought other former friends from the university who were also involved in literature and graphic arts. Among the main names of those who founded O Gráfico Amador in 1954, it is worth mentioning Ariano Suassuna, José Laurenio, and Orlando da Costa Ferreira.

London Design Festival’s “Brazil Illustrated”, featuring Bruno Kurru, Wagner Pinto and Eduardo Recife

‘Brazil Illustrated’ brings together three individual artists — Bruno Kurru, Wagner Pinto and Eduardo Recife — whose work synthesizes the numerous possibilities of the medium in its multiple variations. The exhibition, curated by João Guarantani, concentrates on the possibilities of illustration outside its applied state, before it is appropriated by design and visual communication, and presents an exploration of the most expressive qualities of the medium in its raw state through site-specific installations.

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