The April/2009 issue of CR features The Annual, showcasing the best work of 2008. CR goes through the process of how Lobo’s wonderful hand-crafted title sequence for Brazilian TV series “Capitu” — a Brazilian TV mini-series adaptation of 19th-century novelist Machado de Assis’ work, Dom Casmurro — was made:

UK monthly graphic design magazine Grafik features a review of Rogério Duarte’s exhibition in Australia in its issue #180.

What makes a world-class designer? It’s a simple question and yet once we started compiling this list we realised it’s not at all simple to answer. Is it about pushing boundaries or holding fast to traditional principles? Should the body of work be judged on aesthetics or usability? Is fame or notoriety important, or just a distraction? Ultimately, .net tried to balance all these considerations and more, and picked 20 figures who we all feel act as a beacon of inspiration to web builders everywhere: A graphic and web designer from Brazil, Fabio is co-founder of design studio, 3YZ and can also be found at www.abduzeedo.com, a blog recording his ventures through the design world [...]

By producing work rich with feeling and a growing sense of sophistication, Brazil has begun to turn up the creative heat. According to Computer Arts magazine, the world of graphic design is waiting to see what happens next [...]

Brazil’s productivity growth outstrips the US and Mexico is rivaling India for outsourcing. Rhymer Rigby says Latin America’s emergence is built on quality and creativity. Check out what else did Design Council Magazine said about Brazil’s economy [...]

The Interaction Design Association (IXDA) is pleased to announce the 1st regional conference of Interaction Design Association (IxDA): Interaction’09 | South America, which will happen on 26,27 and 28 November at 9 am to 18 pm, in São Paulo. The purpose of the event is to encourage and work with the education of interaction design in Latin America, so has the support of several institutions of higher education, promoting greater visibility for professionals engaged in the development of interactive solutions.

Aloísio Magalhães, while still attending law school in Recife (the capital of Pernambuco), had already begun to show his fascination with graphic arts. Coincidentally, a famous cousin of Magalhães, the renowned Brazilian poet João Cabral de Melo Neto, moved to Recife at that time. This cousin strongly encouraged the two young artists to open their own private print shop. Magalhães became excited about the idea of setting up a print shop and they sought other former friends from the university who were also involved in literature and graphic arts. Among the main names of those who founded O Gráfico Amador in 1954, it is worth mentioning Ariano Suassuna, José Laurenio, and Orlando da Costa Ferreira.

‘Brazil Illustrated’ brings together three individual artists — Bruno Kurru, Wagner Pinto and Eduardo Recife — whose work synthesizes the numerous possibilities of the medium in its multiple variations. The exhibition, curated by João Guarantani, concentrates on the possibilities of illustration outside its applied state, before it is appropriated by design and visual communication, and presents an exploration of the most expressive qualities of the medium in its raw state through site-specific installations.

Think Brazilian design and the first things that spring to mind may well be plastic flip-flops and miniscule beachwear. But there is more to Brazilian style than Carmen Miranda’s fruit basket headgear [...]

Brazilian design, from fashion to architecture, is usually recognised simply for its flamboyance, but it is only recently that its unusual mix of influences is being embraced for its inventiveness, originality and sheer diversity [...]