The exhibition DINGBATS BRASIL returns to Venezuela from April to August as part of the program of the 4th Latin American Typographic Biennial TIPOS LATINOS 2010.

Brooke Hatfield, from Paste Magazine, interviews Eduardo Recife, who shares of some really interesting sources of inspiration, like one earliest artistic memories is of a robbery: One night after dark, he and a friend were midway through their first attempt at pixação, a Brazilian graffiti style, when thieves ambushed them. Recife, now 29, has become a prolific illustrator, collage artist, font designer and photographer with a bevy of high-profile clients like The New York Times, HBO[...]

By producing work rich with feeling and a growing sense of sophistication, Brazil has begun to turn up the creative heat. According to Computer Arts magazine, the world of graphic design is waiting to see what happens next [...]

Aloísio Magalhães, while still attending law school in Recife (the capital of Pernambuco), had already begun to show his fascination with graphic arts. Coincidentally, a famous cousin of Magalhães, the renowned Brazilian poet João Cabral de Melo Neto, moved to Recife at that time. This cousin strongly encouraged the two young artists to open their own private print shop. Magalhães became excited about the idea of setting up a print shop and they sought other former friends from the university who were also involved in literature and graphic arts. Among the main names of those who founded O Gráfico Amador in 1954, it is worth mentioning Ariano Suassuna, José Laurenio, and Orlando da Costa Ferreira.

‘Brazil Illustrated’ brings together three individual artists — Bruno Kurru, Wagner Pinto and Eduardo Recife — whose work synthesizes the numerous possibilities of the medium in its multiple variations. The exhibition, curated by João Guarantani, concentrates on the possibilities of illustration outside its applied state, before it is appropriated by design and visual communication, and presents an exploration of the most expressive qualities of the medium in its raw state through site-specific installations.

With Brazilian designers and companies like F. Akasaka and Melissa helping to put Brazil on the map for design (not just street art), there’s a lot of talent that’s on the brink of making it big, which is the subject of the exhibit “Brazilian Design Today: Frontiers.” [...]

DINGBATS BRASIL is an exhibition that features the first decade (1996-2006) of Brazil’s production of digital pictorial alphabets – the dingbats – through thirty-five projects by 22 prominent contemporary designers. The fonts can be seen in its blog , which also to keeps track of the upcoming Brazilian symbol fonts.

Having traveled across South America, this Brazilian exhibition touches down in Beijing, after two months in Shanghai. Curated by Brazilian graphic designer Bruno Porto, the show features the first decade (1996-2006) of the country’s production of digital pictorial alphabets – the dingbats – via 35 projects by 22 Brazilian contemporary designers.

The 9th issue of the biggest graphic design event in South America, featuring almost 300 Brazilian graphic design projects – from visual identity systems and packaging to posters and typeface design – will be exhibited during the 2009 Shanghai International Creative Industry Week from October 15th–21st, and at the Beijing Icograda World Congress from October 26th–30th.