Roberts shares 10 of the lesser-known designers featured in the book with FastCompany, including our dear Rogério Duarte […]
Rogério Duarte started his career as a graphic designer in the 1960s. He had begun his formation in this area by taking the experimental course offered by Museu de Arte Moderna do Rio de Janeiro MAM-RJ [ Rio de Janeiro’s Modern Arte Museum]. He worked with Aloísio Magalhães between 1961 and 1962. He is famous for his collaborations with the musicians of the Tropicália movement, especially Caetano Veloso and Gilberto Gil, his book covers and movie posters. In the latter field, he designed the poster of the movie “Deus e o Diabo na Terra do Sol” (1965) of Glauber Rocha, one of his most famous works.
Hélio Oiticica (Rio de Janeiro, 1937 – idem, 1980). Together with his brother, César Oiticica, he began studying painting and drawing with Ivan Serpa at the Museu de Arte Moderna do Rio de Janeiro – MAM/RJ [Museum of Modern Art of Rio de Janeiro], in 1954. He took part in the Opinião 66 [Opinion 66] and Nova Objetividade Brasileira [New Brazilian Objectivity], presenting the Tropicália environmental demonstration. In 1969, at the Whitechapel Gallery, in London, he realised what he called the Whitechapel Experience, presenting the Éden [Eden] project. For most of the 1970s, he lived in New York, during which period, he was a visiting scholar of the Guggenheim Foundation, taking part in the Information show, at the Museum of Modern Art – MoMA. He returned to Brazil in 1978. After his death, the Projeto Hélio Oiticica [Hélio Oiticica Project] was created in Rio de Janeiro, in 1981, with the aim of preserving, analysing and promoting his work, under the direction of Lygia Pape, Luciano Figueiredo and Waly Salomão […]
For the first time in Australia, Brazilian graphic artist Rogério Duarte will exhibit original examples of art and design including his acclaimed album covers and film posters at The Narrows, within the 2009 Melbourne International Arts Festival.