DINGBATS BRASIL in Venezuela

The exhibition DINGBATS BRASIL opened on April 30th at the Galeria Venezolana de Diseño in Caracas, Venezuela, as part of the program of the 4th Latin American Typographic Biennial TIPOS LATINOS 2010.

DINGBATS BRASIL features the first decade (1996-2006) of Brazil’s production of digital pictorial alphabets – the dingbats – through thirty-five projects by 22 prominent contemporary designers like Leonardo Buggy, Tony de Marco, Marina Chaccur, Claudio Rocha, Marcelo Martinez, Guto Lacaz and Rafo Castro, among others.

This is not the first time the exhibition is seen in Venezuela: in October/November of 2008 it was presented within the 4th COIDIGRA – Congreso Internacional de Diseño Gráfico, in the city of Mérida. The exhibition has also traveled Brazil, Colombia and China in local and international design events, and has been seen by over 12,000 people from 50 countries.

Photos by Maga Uzcátegui Rangel & information in Spanish here and in English & Portuguese here.

Read Also:

• International panel debates still and moving images at the 2nd Brazil Film Festival in China
• DINGBATS BRASIL goes to Beijing ICOGRADA 2009
• 9th Brazilian Graphic Design Biennial goes to China
• Discover the Brazilian Cinema
• DINGBATS BRASIL

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Eltono’s piece for Rojo Out Urban Stage

After São Paulo city officials ordered graffiti cleanup crews to leave work by Os Gêmeos and other famous São Paulo street artists alone, art collective and magazine Rojo asked the city’s Urban Development Department to allow them to tap artists like Tofer and MWM Graphics to help spice up drab concrete structures across the city. “It was the first time they’ve allowed it,” says Zagg Guimaraes, Rojo’s associate director in Brazil. “We’re trying to make the city more beautiful.” Dubbing the operation RojoOut, the public art exhibit continues a similar three-year project in Barcelona that they started in 2006.

Sponsored by Smart, the just-completed project commissioned Rojo-affiliated artists to paint 11 concrete structures including air-vent columns and blank walls across São Paulo over a few weeks. Nuria Mora, Tony de Marco, Superblast and Eltono got on scaffolds to paint, while MWM Graphics, Ovni and Tofer scaled and drew their work but handed it off to collaborators to carry out.

Spread across three locations, Avenida Juscelino Kubitschek by the Povo and Ibirapuera parks and near the Ibirapuera Park entrance, the permanent exhibit happily faces no threat of removal.

via RojoOut Urban Stage São Paulo.

Read Also:

• Galeria Choque Cultural featured on Wired Magazine
• Os Gêmeos Create a World on a New York Wall
• Trabalho Gráfica Urbano para o Bairro do Bixiga wins Gold Medal from IDSA’s 2010 IDEA awards
• Born in Brazil issue @ Wallpaper*
• São Paulo’s Modern Art Museum “Brazilian Design Today: Frontiers”

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"Dream" by Eduardo Recife

With Brazilian designers and companies like F. Akasaka and Melissa helping to put Brazil on the map for design (not just street art), there’s a lot of talent that’s on the brink of making it big, which is the subject of the exhibit “Brazilian Design Today: Frontiers.”

Interest in Brazil’s arts outside of the traditional cultural symbols is relatively recent, so to celebrate and showcase the variety and contributions of Brazilian design in the 21st century, the show focuses mostly on industrial design but also takes a look at digital mediums.

There are gems aplenty among those 90 picked for the show, from Eduardo Recife‘s handmade cut-and-paste fonts (like “Dream“) and Fernando Prado‘s “Bossa” adjustable lamp.

Also worth checking the pieces of Alexandre Wollner, Claudio Rocha, Tony de Marco, Rogério Duarte, and Tipos do Acaso.

via Brazilian Design Today: Frontiers.

Read Also:

• Paste Magazine interviews Eduardo Recife
• Roots: Wollner, Alexandre (1928)
• Alexandre Wollner featured in the “Distinguished Lecture Series” of the School of Art, Design and Media at Nanyang Technological University, Singapore
• London Design Festival’s “Brazil Illustrated”, featuring Bruno Kurru, Wagner Pinto and Eduardo Recife
• DINGBATS BRASIL

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_original logo (2009) designed with Brazilian typefaces Brasilêro (2001_ Crystian Cruz), Cantador (1997_ Daniel Morena), Folk (2009_ Marcelo Magalhães), UnB Pro (2008_ Gustavo Ferreira) + Samba Expert (2003_ Tony de Marco & Caio de Marco)

Authors

Bruno Porto is a graphic designer, educator and consultant from Rio de Janeiro. His work has frequently been awarded and exhibited in the Americas, Europe and Asia, where he had two solo shows of posters he’d designed. He is one the two Brazilian professionals listed in the Atlas of Contemporary Graphic Design by Harper Collins in 2008. He is a member of the Society of Illustrators of Brazil (SIB) – where he currently serves in its Board of Councilors – and the Brazilian Graphic Designers Association (ADG Brasil) – in which he has acted as a member of its National Board of Directors (2004-2006), Rio de Janeiro Board of Coordinators (2002-2004), Ethics Committee (2009-2011) and as its liaison with Icograda. He has also been deeply involved with the Brazilian Graphic Design Biennial, being President of the Jury of its 7th edition, member of the Curatorial Commission of its 8th edition, and coordinator of the 9th edition’s international tour in Beijing and Shanghai. He has curated a dozen graphic arts exhibitions – such as DINGBATS BRASIL, that has been presented in ten cities across South America and Asia. An author of books and articles on graphic design and illustration, he holds a column in www.DesignBrasil.org.br and has contributed articles to a number of design publications in Brazil and China such as abcDesign, Art & Design, Designe, Design 360º, Design Gráfico, ??? NewGraphic, Prodesign, Revista da ADG, Revista Webdesign and Wide. He was a faculty member at the Graphic Design School of Centro Universitário da Cidade (Rio de Janeiro, 1996-2006) and at the Visual Communication department of Raffles Design Institute (Shanghai, 2006-2010), and consistently organizes and takes part in design events, lectures and juries.

Itamar Medeiros currently lives in Shanghai (China), where he works as Senior User Experience Designer at the Architecture, Engineering & Construction Industry Group of Autodesk® — and helps promote Interaction Design as a local coordinator for the Interaction Design Association (IxDA). Working in the Information Technology industry since 1998, Itamar Medeiros has developed several websites and interactive media campaigns, both as art director and, later, as creative director for several new media agencies in Pernambuco, Brazil. As an Information Design specialist, served as board member of the Brazilian Society of Information Design, and held several lecturing positions, including Lecturer of Hypermedia at the Department of Design of Universidade Federal de Pernambuco (UFPE), Assistant Professor of Cognition and Information Technologies at the Information Systems program of Faculdade Santa Maria,  and Assistant Program Director of the Visual Communication Department of Raffles Design Institute at DongHua University, China. He has been awarded with an MA (with distinction) in Design Practice at Northumbria University (Newcastle, UK) for his thesis “Designing the User Experience: Creating Innovative Design Software Solutions within Collaborative/Distributed Design Environments”.

Read Also:

• Roots: Duarte, Rogério (1939)
• Discover the Brazilian Cinema
• 9th Brazilian Graphic Design Biennial in China
• 9th Brazilian Graphic Design Biennial goes to China
• New media & semiotics lecture in Shanghai

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