Rio de Janeiro
Roots: Ziraldo (1932)
Ziraldo Alves Pinto (Caratinga, Minas Gerais, 1932 – ). Draughtsman, caricaturist, cartoonist, illustrator, journalist and writer. In 1954, he replaced the caricaturist Borjalo (1925 – 2004) on the daily Folha de Minas and contributed to the magazine Binômio. In 1957, he moved to Rio de Janeiro, and in the following year, began to work on the magazine, O Cruzeiro, where, two years later, he created the character, Pererê. In 1963, he began to work for the Jornal do Brasil, and in 1964, for the magazine Pif-Paf, edited by Millôr Fernandes (1923-). He became a member of the founding team of the magazine, O Pasquim, launched in 1969. Since then, he has devoted himself to the publication of children’s books, with many titles, most notable among which are Flicts (1969), O Menino Maluquinho [The Crazy Kid] (1980) and O Bichinho da Maçã [The Little Apple Worm] (1982) [...]
Roots: Duarte, Rogério (1939)
Rogério Duarte started his career as a graphic designer in the 1960s. He had begun his formation in this area by taking the experimental course offered by Museu de Arte Moderna do Rio de Janeiro MAM-RJ [ Rio de Janeiro's Modern Arte Museum]. He worked with Aloísio Magalhães between 1961 and 1962. He is famous for his collaborations with the musicians of the Tropicália movement, especially Caetano Veloso and Gilberto Gil, his book covers and movie posters. In the latter field, he designed the poster of the movie “Deus e o Diabo na Terra do Sol” (1965) of Glauber Rocha, one of his most famous works.
Brazil outsourcing industry featured in Design Council Magazine’s “The Latin American renaissance” article
Brazil’s productivity growth outstrips the US and Mexico is rivaling India for outsourcing. Rhymer Rigby says Latin America’s emergence is built on quality and creativity. Check out what else did Design Council Magazine said about Brazil’s economy [...]
Schools: Escola Superior de Design Industrial (ESDI)
The Escola Superior de Desenho Industrial (ESDI) [Superior School of Industrial Design] was the first school of higher education in industrial design was created in 1963 and is the oldest design college in both Brazil and in South America [...]
Roots: Wollner, Alexandre (1928)
Alexandre Wollner (São Paulo, 1928- ). Graphic designer. Began his studies with the visual design course at the Institute of Contemporary Design (IAC), created at the São Paulo Assis Chateaubriand Museum of Art (Masp). Collaborated with Pietro Maria Bardi (1900-1999) in staging the retrospective exhibition of Max Bill (1908-1994), at the Masp, in 1951. In 1953, he was chosen by Max Bill to study at the Hochschule für Gestaltung [Superior School of Form] in Ulm, Germany, where he remained from 1954 to 1958. In 1963, he took part in the structuring and creation of the Escola Superior de Desenho Industrial (ESDI) [Superior School of Industrial Design], in Rio de Janeiro [...]
“Brazilian Design Classics”, according to UK’s the Guardian
Think Brazilian design and the first things that spring to mind may well be plastic flip-flops and miniscule beachwear. But there is more to Brazilian style than Carmen Miranda’s fruit basket headgear [...]
Roots: Monteiro, Vicente do Rêgo (1899 – 1970)
Vicente do Rego Monteiro (Recife, Pernambuco, 1899 – idem, 1970). Painter, sculptor, draughtsman, illustrator, graphic artist. Began his artistic studies in 1908, accompanying his sister, Fedora do Rego Monteiro (1889 – 1975) on courses at the National School of Fine Arts (Enba) in Rio de Janeiro.
UK’s The Guardian highlights the work of young Brazilian designers in the article “Artistry in the Blood”
Brazilian design, from fashion to architecture, is usually recognised simply for its flamboyance, but it is only recently that its unusual mix of influences is being embraced for its inventiveness, originality and sheer diversity [...]
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