Brazilian graphic designer Felipe Taborda has curated an exhibition of posters at Warsaw’s Rampa Art Gallery and Poster Museum as part of Poland’s 22nd International Poster Biennale [...]

Published by the Nanjing Arts Institute, Chinese design magazines NewGraphic and PRODESIGN have already featured Walter Vasconcelos, Kiko Farkas, Miran, Bruno Porto, Laboratório Secreto, Boldº, Flavio de Morais, Lula and DINGBATS BRASIL. A six articles series reporting on contemporary Brazilian graphic design industry will introduce different business models, styles and design fields: editorial, identity, pop, package, typography, illustration, poster, advertising, new medias…

Carlos Vinicius Lopes – who recently won the main award at the 3rd International Biennial of the Poster in Bolivia with his poster series “Sobreviver” (“Survive”) – and Kiko Farkas are the Brazilian participants of the 22nd edition of the Warsaw International Poster Biennale.

Brazilian art director Carlos Vinicius Lopes won the main award at the 3rd International Biennial of the Poster in Bolivia. The exhibition was held at the Museo San Francisco in La Paz, during November 2009. The theme of this edition of the Biennial was “Migration”, and Lopes’ poster series “Sobreviver” (“Survive”) was elected by the Jury the recipient of the U$3,000 prize…

Roberta Smith writes for the New York Times: “With their first public artwork in Manhattan, which went up at the northwest corner of Houston Street and the Bowery on July 17/2009, the Brazilian brothers Otavio and Gustavo Pandolfo, who call themselves Os Gêmeos, bring graffiti art to its Rococo phase” [...]

UK monthly graphic design magazine Grafik features a review of Rogério Duarte’s exhibition in Australia in its issue #180.

ADG Brasil, founded in 1989, has as its fundamental objectives to promote Brazilian Graphic Design. Acting as a channel between professionals, suppliers, entrepreneurs and the public in general, to affirm the profession’s identity, contributing for the country’s social, cultural and economic development [...]

Brazilian graphic designer Kiko Farkas gave a talk at the Nanjing Arts Institute on November 10th 2009 during the opening of an exhibition of 50 of his posters for the São Paulo Symphonic Orchestra.

Ziraldo Alves Pinto (Caratinga, Minas Gerais, 1932 – ). Draughtsman, caricaturist, cartoonist, illustrator, journalist and writer. In 1954, he replaced the caricaturist Borjalo (1925 – 2004) on the daily Folha de Minas and contributed to the magazine Binômio. In 1957, he moved to Rio de Janeiro, and in the following year, began to work on the magazine, O Cruzeiro, where, two years later, he created the character, Pererê. In 1963, he began to work for the Jornal do Brasil, and in 1964, for the magazine Pif-Paf, edited by Millôr Fernandes (1923-). He became a member of the founding team of the magazine, O Pasquim, launched in 1969. Since then, he has devoted himself to the publication of children’s books, with many titles, most notable among which are Flicts (1969), O Menino Maluquinho [The Crazy Kid] (1980) and O Bichinho da Maçã [The Little Apple Worm] (1982) [...]

Rogério Duarte started his career as a graphic designer in the 1960s. He had begun his formation in this area by taking the experimental course offered by Museu de Arte Moderna do Rio de Janeiro MAM-RJ [ Rio de Janeiro's Modern Arte Museum]. He worked with Aloísio Magalhães between 1961 and 1962. He is famous for his collaborations with the musicians of the Tropicália movement, especially Caetano Veloso and Gilberto Gil, his book covers and movie posters. In the latter field, he designed the poster of the movie “Deus e o Diabo na Terra do Sol” (1965) of Glauber Rocha, one of his most famous works.