CR January: Made in Brazil

There’s a feature in our January/2010 issue (out 18 December) about São Paulo gallery Choque Cultural and its attempts to keep the tradition of letterpress Lambe-Lambe posters going by using Gráfica Fidalga to produce books and prints.

We thought it would be interesting to ask the workshop to create the artwork for our cover. Choque’s Baixo Ribeiro designed a layout using text supplied by us. We also gave him an EPS of the logo which the guys at GF made a stencil from and then routed out of a piece of wood.

For prints by Choque Cultural artists, check out the UK website here.

via Creative Review – CR January: Made in Brazil.

Read Also:

• Rogério Duarte exhibition in Australia reviewed by UK’s Grafik magazine
• Movements: O Gráfico Amador
• For the 3rd consecutive time, CasaRex Receives a Communication Arts Award
• Galeria Choque Cultural featured on Wired Magazine
• Roots: J. Borges (1935)

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NewGraphic #23 and PRO #02

Seems that after publishing the portfolios of illustrator Walter Vasconcelos and graphic designer Kiko Farkas in its bimonthly NewGraphic magazine (20 pages each, in issues #13 – 2007 and #21 – 2009, respectively), the Nanjing Arts Institute decided to make 2010 their ‘Year of Brazil’:

The #23 – April 2010 issue features over 100 projects of books, logos, packages, covers and pages of the famous Gráfica magazine designed by Oswaldo “Miran” Miranda, a “pioneer of Contemporary Graphic Design in Brazil”, as the magazine rightfully calls him in the first of the 20 pages allocated to the renowned Curitiba graphic artist.

In this issue, the publication also initiates a series of six articles that will present portfolios of Brazilian design companies and professionals with different styles and business models. Written and produced by Brazilian designer and educator Bruno Porto, each article will focus a specific theme. The first one, “Pop”, introduces over 80 projects of editorial design studio Laboratório Secreto and design agency Boldº_a design company in another 20 pages. Issue #24 will carry projects by eg.design and Tecnopop addressing “Identity”.

The Nanjing Arts Institute has also designated 42 pages of its new publication PRODESIGN to the Brazilian graphics. Its first two issues feature the illustration works of São Paulo’s (and Barcelona resident) Flavio de Morais and Rio de Janeiro’s Lula Palomanes, as well as the complete projects and texts of the two graphic design exhibitions presented by Bruno Porto in China in 2009, “DINGBATS BRASIL” and “One Year in Posters“. While NewGraphic is published in Chinese only, PRODESIGN is bilingual (Chinese / English). Pages of both publications can be seen in http://www.seecoo.com.cn/

Read Also:

• Kiko Farkas poster exhibition in China
• A Brazilian talk about Asian design
• 9th Brazilian Graphic Design Biennial in China
• 9th Brazilian Graphic Design Biennial goes to China
• Brazilian Posters in Warsaw International Poster Biennale

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Lacoste Logo by Campana Brothers

Acclaimed Brazilian design duo Fernando and Humberto Campana – creators of the Favela Chair — redesigned the famous Lacoste logo for a special – and rather expensive – 2009 Collector’s Series of polo shirts. The redesigned logo illustrates the way crocodiles congregate in the wetlands of the Pantanal region. The shirts are being featured in Lacoste stores all over the world (pictured here the Nanjing Road store in Shanghai, where a polo shirts costs RMB1,780).

Lacoste Store at Nanjing Road, Shanghai

Read Also:

• Kiko Farkas poster exhibition in China
• Brazilian Posters in Warsaw International Poster Biennale
• Chinese design magazines will publish over 200 pages of Brazilian graphic arts in 2010
• New media & semiotics lecture in Shanghai
• 9th Brazilian Graphic Design Biennial in China

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_original logo (2009) designed with Brazilian typefaces Brasilêro (2001_ Crystian Cruz), Cantador (1997_ Daniel Morena), Folk (2009_ Marcelo Magalhães), UnB Pro (2008_ Gustavo Ferreira) + Samba Expert (2003_ Tony de Marco & Caio de Marco)

Authors

Bruno Porto is a graphic designer, educator and consultant from Rio de Janeiro. His work has frequently been awarded and exhibited in the Americas, Europe and Asia, where he had two solo shows of posters he’d designed. He is one the two Brazilian professionals listed in the Atlas of Contemporary Graphic Design by Harper Collins in 2008. He is a member of the Society of Illustrators of Brazil (SIB) – where he currently serves in its Board of Councilors – and the Brazilian Graphic Designers Association (ADG Brasil) – in which he has acted as a member of its National Board of Directors (2004-2006), Rio de Janeiro Board of Coordinators (2002-2004), Ethics Committee (2009-2011) and as its liaison with Icograda. He has also been deeply involved with the Brazilian Graphic Design Biennial, being President of the Jury of its 7th edition, member of the Curatorial Commission of its 8th edition, and coordinator of the 9th edition’s international tour in Beijing and Shanghai. He has curated a dozen graphic arts exhibitions – such as DINGBATS BRASIL, that has been presented in ten cities across South America and Asia. An author of books and articles on graphic design and illustration, he holds a column in www.DesignBrasil.org.br and has contributed articles to a number of design publications in Brazil and China such as abcDesign, Art & Design, Designe, Design 360º, Design Gráfico, ??? NewGraphic, Prodesign, Revista da ADG, Revista Webdesign and Wide. He was a faculty member at the Graphic Design School of Centro Universitário da Cidade (Rio de Janeiro, 1996-2006) and at the Visual Communication department of Raffles Design Institute (Shanghai, 2006-2010), and consistently organizes and takes part in design events, lectures and juries.

Itamar Medeiros currently lives in Shanghai (China), where he works as Senior User Experience Designer at the Architecture, Engineering & Construction Industry Group of Autodesk® — and helps promote Interaction Design as a local coordinator for the Interaction Design Association (IxDA). Working in the Information Technology industry since 1998, Itamar Medeiros has developed several websites and interactive media campaigns, both as art director and, later, as creative director for several new media agencies in Pernambuco, Brazil. As an Information Design specialist, served as board member of the Brazilian Society of Information Design, and held several lecturing positions, including Lecturer of Hypermedia at the Department of Design of Universidade Federal de Pernambuco (UFPE), Assistant Professor of Cognition and Information Technologies at the Information Systems program of Faculdade Santa Maria,  and Assistant Program Director of the Visual Communication Department of Raffles Design Institute at DongHua University, China. He has been awarded with an MA (with distinction) in Design Practice at Northumbria University (Newcastle, UK) for his thesis “Designing the User Experience: Creating Innovative Design Software Solutions within Collaborative/Distributed Design Environments”.

Read Also:

• Roots: Duarte, Rogério (1939)
• Discover the Brazilian Cinema
• 9th Brazilian Graphic Design Biennial in China
• 9th Brazilian Graphic Design Biennial goes to China
• New media & semiotics lecture in Shanghai

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