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Germany

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A Brazilian talk about Asian design

Taschen editor-in-charge Julius Wiedemann and co-author Bruno Porto showcased the upcoming 430 page book “Asian Graphics NOW!” at the German Consulate General in Shanghai, on September 15th 2010, featuring a wide selection of design projects from China (mainland, Taiwan, Hong Kong and Macao), Japan, Korea, India, Singapore, Thailand, Vietnam etc, divided in five sections – Advertising, Branding, Editorial, Non-Commercial and Packaging [...]

CLIO honors Marcello Serpa with “Lifetime Achievement” award

Marcello Serpa, partner and general creative director, AlmapBBDO, São Paulo, Brazil, was selected by the international Clio Awards as the recipient of its distinguished Lifetime Achievement Award for 2008. “Throughout his career, Marcello Serpa has clearly embodied the tradition of creative leadership, integrity and dedication to great ideas that are the cornerstones of the Clio Lifetime Achievement Award,” said Tony Gulisano, managing director, Clio Awards. “It is our honor to present him with this award.”

Roots: ADG Brasil (Associação dos Designers Gráficos)

ADG Brasil, founded in 1989, has as its fundamental objectives to promote Brazilian Graphic Design. Acting as a channel between professionals, suppliers, entrepreneurs and the public in general, to affirm the profession’s identity, contributing for the country’s social, cultural and economic development [...]

Roots: J. Borges (1935)

Artist and poet José Francisco Borges (J. Borges) was born in 1935 in the village of Bezerros, Pernambuco state, in Northeastern Brazil. Today Borges is Brazil’s best-known folk artist working in the woodcut medium, and his work has been exhibited all over the world. But he comes out of a long tradition of folk poet/artists who publish their own work in the form of small (generally about 6″ by 9″) cheap chap-books or pamphlets written in verse, known as folhetos. They are also known as literatura de cordel after the way vendors sell them in the marketplace, hanging over a string. Working with just a knife and a chunk of wood, Mr. Borges proves that ”low-level technology often yields very powerful, moving and sophisticated results” [...]

Roots: Wollner, Alexandre (1928)

Alexandre Wollner (São Paulo, 1928- ). Graphic designer. Began his studies with the visual design course at the Institute of Contemporary Design (IAC), created at the São Paulo Assis Chateaubriand Museum of Art (Masp). Collaborated with Pietro Maria Bardi (1900-1999) in staging the retrospective exhibition of Max Bill (1908-1994), at the Masp, in 1951. In 1953, he was chosen by Max Bill to study at the Hochschule für Gestaltung [Superior School of Form] in Ulm, Germany, where he remained from 1954 to 1958. In 1963, he took part in the structuring and creation of the Escola Superior de Desenho Industrial (ESDI) [Superior School of Industrial Design], in Rio de Janeiro [...]

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