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draughtsman

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Roots: Gilvan Samico (1928 – )

Gilvan José Meira Lins Samico (Recife, Pernambuco, 1928- ). Engraver, painter, draughtsman, lecturer. In 1952, together with other artists, Gilvan Samico founded the Ateliê Coletivo [Collective Studio] of the Sociedade de Arte Moderna do Recife – SAMR [Recife Modern Art Society], conceived by Abelardo da Hora (1924). Gilvan studied wood engraving with Lívio Abramo (1903 – 1992) in 1957 at the Escola de Artesanato [School of Crafts] of the Museu de Arte Moderna de São Paulo – MAM/SP [São Paulo Museum of Modern Art]

Roots: Ziraldo (1932)

Ziraldo Alves Pinto (Caratinga, Minas Gerais, 1932 – ). Draughtsman, caricaturist, cartoonist, illustrator, journalist and writer. In 1954, he replaced the caricaturist Borjalo (1925 – 2004) on the daily Folha de Minas and contributed to the magazine Binômio. In 1957, he moved to Rio de Janeiro, and in the following year, began to work on the magazine, O Cruzeiro, where, two years later, he created the character, Pererê. In 1963, he began to work for the Jornal do Brasil, and in 1964, for the magazine Pif-Paf, edited by Millôr Fernandes (1923-). He became a member of the founding team of the magazine, O Pasquim, launched in 1969. Since then, he has devoted himself to the publication of children’s books, with many titles, most notable among which are Flicts (1969), O Menino Maluquinho [The Crazy Kid] (1980) and O Bichinho da Maçã [The Little Apple Worm] (1982) [...]

Roots: Monteiro, Vicente do Rêgo (1899 – 1970)

Vicente do Rego Monteiro (Recife, Pernambuco, 1899 – idem, 1970). Painter, sculptor, draughtsman, illustrator, graphic artist. Began his artistic studies in 1908, accompanying his sister, Fedora do Rego Monteiro (1889 – 1975) on courses at the National School of Fine Arts (Enba) in Rio de Janeiro.

Roots: Câmara, João (1944)

In 1964, together with Adão Pinheiro (1938- ), José Tavares and Guita Charifker (1936- ), João Câmara founded the Ateliê Coletivo da Ribeira [Collective Studio of Ribeira], and in 1965, the Ateliê + Dez [Studio +10], both in Olinda. In 1974, he established a lithography studio which subsequently became the Guaianases Engraving Workshop, incorporated in 1995 into the Visual Arts Laboratory of the Federal University of Pernambuco [...]

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