The exhibition DINGBATS BRASIL returns to Venezuela from April to August as part of the program of the 4th Latin American Typographic Biennial TIPOS LATINOS 2010.

Published by the Nanjing Arts Institute, Chinese design magazines NewGraphic and PRODESIGN have already featured Walter Vasconcelos, Kiko Farkas, Miran, Bruno Porto, Laboratório Secreto, Boldº, Flavio de Morais, Lula and DINGBATS BRASIL. A six articles series reporting on contemporary Brazilian graphic design industry will introduce different business models, styles and design fields: editorial, identity, pop, package, typography, illustration, poster, advertising, new medias…

Brazilian art director Carlos Vinicius Lopes won the main award at the 3rd International Biennial of the Poster in Bolivia. The exhibition was held at the Museo San Francisco in La Paz, during November 2009. The theme of this edition of the Biennial was “Migration”, and Lopes’ poster series “Sobreviver” (“Survive”) was elected by the Jury the recipient of the U$3,000 prize…

Almost 300 Brazilian graphic design projects – from visual identity systems and packaging to posters and typeface design – will be exhibited during the 2009 Shanghai International Creative Industry Week from October 15th–21st, and at the Beijing Icograda World Congress from October 26th–30th.

Having traveled across South America, this Brazilian exhibition touches down in Beijing, after two months in Shanghai. Curated by Brazilian graphic designer Bruno Porto, the show features the first decade (1996-2006) of the country’s production of digital pictorial alphabets – the dingbats – via 35 projects by 22 Brazilian contemporary designers.

The Discover the Brazilian Cinema poster exhibition was presented in Art Scene Gallery in Shanghai in June 2007 featuring original posters by 30 Brazilian visual artists and 10 Chinese visual communication students. This exhibition, accompanying the Focus on Brazil (the Brazilian film exhibition taking place within this week’s tenth Shanghai International Film Festival) is a true visual carnival. The idea was to take forty designers, artists, illustrators, and photographers spanning all generations and regions of Brazil, and ask them to create an original collection of posters for famous Brazilian films. The collection in turn aims to introduce China, a country with an equally distinctive cultural flavor, to the richness and beauty that Brazilian cinema has to offer [...]