Before he became one of Latin America’s most prolific filmmakers — with more than 80 movies credited to his production company — Luiz Carlos Barreto was a photographer. For 15 years beginning in the late 1940s, he worked for O Cruzeiro, a Brazilian weekly magazine similar to Life or Look traveling all over Latin America and also working as a correspondent in Europe.

Luiz Carlos Barreto, "Paris", 1953

Mr. Barreto, now 83, was in New York recently for the United States premiere of “Lula, Son of Brazil,” his company’s latest film, directed by his son Fábio. But back home in Brazil, his early photographic work has been getting renewed attention. A book of his photos called “Passagem: A Memória Visual de Luiz Carlos Barreto,” or “Passage: The Visual Memory of Luiz Carlos Barreto,”was published a decade ago.  And his work has been featured in retrospectives at the Museum of Modern Art in Rio de Janeiro, where he has lived since the 1940s, and at the Museum of Art in São Paulo.

His images range from gritty depictions of Brazil’s urban and rural poor, especially from the sertão, or arid backlands of the northeast, Mr. Barreto’s home region, to celebrity portraits: Mr. Barreto covered the first Cannes film festival in 1954 and later shot stars like Marlene Dietrich, Frank Sinatra, Brigitte Bardot, Kim Novak and Sophia Loren. But he also photographed global political figures ranging from Che Guevara and Nikita Khrushchev to Latin American presidents.

via Luiz Carlos Barreto and Tropical Light – NYTimes.com.

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MyFonts' Creative Characters Issue #52 interviews Pintassilgo Prints

“They used to do it all: illustration, graphic design, product development, screen printing — hence the name of their company, PintassilgoPrints. Lately this young couple from the seaside city of Vitória, Brazil, has concentrated almost exclusively on type design. And quite rightly so. Their fast-growing collection of playful and informal display and script fonts has met with increasing success, and these past few months they’ve scored more than one bestseller. Don’t be fooled by the apparent nonchalance of their letterforms: technically, their fonts are painstakingly made. Meet the bird-loving, hard-working, type-enamored Erica Jung and Ricardo Marcin“.

read the full interview at MyFonts: Creative Characters interview with PintassilgoPrints, November 2011.

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Zara Arshad, Alessandro Rolandi & Bruno Porto_ photo by Caue Ferraz

At the opening of the poster exhibition “Discover the Brazilian Cinema” presented at the 2nd Brazil Film Festival in Beijing, its co-curator Bruno Porto was joined by British designer Zara Arshad and Italian multimedia artist Alessandro Rolandi in an panel to address the relation between moving and still images: movies and its posters. The trio discussed aspects of contemporary marketing and promoting techniques – in which target audiences may only see a poster when they reach the theater, long after they’ve watched the trailer and read about it online – that subvert the original role of the poster, changes in technology that liberate the poster from paper, as well as its collectible aspects, and some of the “style formulas” specific genres use.

The debate and the exhibition were some of the parallel events of the 2nd Brazilian Film Fest in China, that took place at the Broadway Cinematheque MOMA in Beijing from November 17-22. It also featured a concert by musician, actor and soundtrack composer André Abujamra and a Q&A session with André Klotzel, director of Reflections of a Blender, the movie that won the festival Judge’s Choice Award. The international jury was composed by directors Xie Fei, Liu Jiayin, Sam Voutas and Vicky Mohieddeen & movie critic Raymond Zhou.

Descubra o Cinema Brasileiro poster exhibition_

Curated by graphic designers Billy Bacon and Bruno Porto, “Discover the Brazilian Cinema” features works by 30 graphic artists from diverse backgrounds, generations and parts of Brazil that encourage – through curiosity, beauty and witty visual solutions – the Chinese audience to enjoy Brazilian films. The show had been presented before at the 10th Shanghai International Film Festival in 2007 and the Pernambuco Design Salon in 2008. It was also selected for the 9th Brazilian Graphic Design Biennial, that traveled to Mexico and China in 2009.

Broadway Cinematheque MOMA_ Beijing

Posters by André Stolarski, Batman Zavareze, Billy Bacon, Bruno Porto, Claudio Reston ‘Haroldinho’, Daniel Bueno, Eduardo Denne, Felipe Muanis, Manifesto (Guto Lins / Adriana Lins / Fernando Arruda), Itamar Medeiros, Kako, José Bessa ‘Elesbão’, Leonardo Buggy, Leonardo Eyer, Lilian Granado, Marcello Rosauro, Marcelo Martinez, Marck Al, Mariana Ochs, Orlando Pedroso, Rafael Ferreira, Rafo Castro, Renato Faccini, Ricardo Cunha Lima, Ruth Klotzel, Walter Vasconcelos, Yomar Augusto and Ziraldo.

Broadway Cinematheque MOMA_

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• Discover the Brazilian Cinema
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• Brazilian illustration festival in China
• Brazilian posters win 1st prize in Bolivia
• Brazilian posters for the Green Movement in Iran

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Flavia Marinho's "Tabuleiro da Bahiana" won The Best of Newspaper Design Creative Competition

So here is the list of designers highlighted by Inspired Magazine:

• Marco Vergotti
• Flavia Marinho
• Ricardo Davino
• Thiago Lyra (whom I had to privilege of being examiner of his Graduation Viva Seminar)
• Fábio Abreu
• Rodolfo França
• Eduardo Asta
• Gerson Mora
• Marcelo Pliger
• Gabriel Gianordoli

via Info-Visualization Through the Eyes and Talent of 10 Brazilian Designers | Inspired Magazine.

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• Brazilian comics in Slovakian magazine
• Born in Brazil issue @ Wallpaper*

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His Story of Creating Ad Icons Also Includes a Harrowing 53-Day Kidnapping

Brazil’s top creatives are treated like rock stars, so it’s no surprise that Washington Olivetto is about to have a movie made of his life.

Mr. Olivetto, whose W/Brasil agency merged with McCann Erickson in Brazil last year to form W/McCann, was one of the first larger-than-life Brazilian creatives to start his own agency, create iconic ad characters and become part of the country’s popular culture. The most dramatic episode in the film, however, is likely to be Mr. Olivetto’s traumatic 53-day kidnapping ordeal in 2001 in São Paulo. Snatched at a fake police roadblock, Mr. Olivetto ultimately managed to escape after being abandoned to die by the kidnappers who were demanding a multimillion dollar ransom.

The movie will be directed by Fernando Meirelles, who was an Oscar nominee for Best Director for foreign-language film “City of God” (Cidade de Deus, in the original Portuguese) in 2004. The movie will be based on a biography of Mr. Olivetto’s life and ad agency W/Brasil published in 2005 by Fernando Morais, a well-known Brazilian biographer.

Shooting starts on the film, budgeted at $4.5 million, later this year and it’s expected to be released in late 2012 or early 2013

via Brazilian Adman Washington Olivettos Life Will Be a Movie | Global News – Advertising Age.

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• Discover the Brazilian Cinema
• Brazil featured on Advertising Age’s “The Best of Latin American Marketing in 2009″
• Cannes Lions 2011 Design category to be presided by Brazilian brand specialist
• International panel debates still and moving images at the 2nd Brazil Film Festival in China

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In an attempt to spark the familiar flame of innovation, you find yourself Googling keywords like “cool artwork” or “inspiring designs”. Sadly, these desperate attempts to revive your creative juices yield regurgitated and over-promoted results that fall just short of your expectations.

If you find yourself desperately trying to get past that creative road block, look no further: among their many readers suggestions, The Next Web (TNW) picked We Heart it as one of their favorites:

We Heart It allows its community to browse through a constantly updated photo gallery where users can “heart” the images that they discover through the service and add them to a list of bookmarked favorites.There are over 10 million images on We Heart It. You can search for your favorite topics and heart the images you like the most. Just move your mouse over the image and click on the heart icon. When it fills up, you hearted it!We Heart It is definitely a site popular among Tumblr users with an interest specifically in style or fashion illustration. I have, on more than one occasion, seen images pirated directly from We Heart It with sources uncredited. While this is obviously just bad practice, it is also a testament to how popular and inspirational images on We Heart It can be. In fact, it is nearly impossible for me to scroll through Tumblr without recognizing some sort of beautiful photo or shot from this service.

via The best places to find artistic inspiration online – TNW Apps.

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• Brazil featured on Advertising Age’s “The Best of Latin American Marketing in 2009″

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2011 IDA Congress Taipei

Design at the Edges: 2011 IDA Congress will take place from 24-26 October in Taipei  focusing on five keynote speeches – Biotechnology, Economic Development, International Migration, Internet, and Urbanism – in its morning sessions, with afternoons devoted to dozens of presentations on education, design practice, academic research, and multiculturalism, among other themes.  There Brazilians will join the ranks of distinguished professionals and academics from more than 40 countries:

Curator, journalist and writer Adélia Borges will deliver a lecture presenting recent Latin American projects concerning social innovation, with examples that will bring together product, graphic and interior design from Argentina, Brazil, Chile and Colombia.

Designer Fred Gelli will be a panellist on the keynote session “Urbanism – Shaping Cities through Urban Design Strategies” alongside colleagues from Finland, UK and USA, also presenting the design of the Olympic Games Rio 2016 branding, developed by his company Tátil Design de Ideias.

Graphic designer and educator Bruno Porto will be a Category Presenter for the 2011 Adobe Design Achievement Awards ceremony – Porto was a member of the jury of the 2010 ADAA – and a correspondent for Brazilian magazine abcDesign, a Media Partner of the IDA Congress and Icograda.

The International Design Alliance (IDA) is a strategic venture between the international organisations representing industrial design, communication design and interior architecture/design. The alliance was created by its founding partners, the International Council of Societies of Industrial Design (Icsid) and the International Council of Graphic Design Associations (Icograda) in 2003. In 2008, the IDA welcomed the International Federation of Interior Architects/Designers (IFI) to the alliance as the third partner.

Design at the Edges
_ the edge between the design practices and other fields having a stake in design, including: science, technology, government, business and non-governmental humanitarian organisations;
_ the edge between design disciplines, especially industrial, communication and interior architecture/design-what do they share in common and what sets them apart;
_ ‘cutting edge’ work and ideas in design and in other fields: radically new, controversial, experimental, pushing the boundaries of the discipline.

via 2011 IDA Congress, Taipei and ICOGRADA | Design at the Edges: 2011 IDA Congress.

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Wagner Campelo (Rio de Janeiro, Brazil)

Wagner Campelo (Rio de Janeiro, Brazil) – Wagner’s floral patterns and textile designs equally capture the spirit of his culture and his eye for detail.

"Ipanema-Leblon" by Wagner Campelo

"Ipanema-Leblon" by Wagner Campelo

via Coroflot Genius Gallery – Eyes On the Prize – Core77.

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Covers by CasaRex for the Contemporary Art and Education" series promoted by AEP - Art Education Productions

As a winner in 2009 for the project developed for the Cool Readings book collection (Editora Biruta) and for the book “Our Movie” (Edições Jogo de Amarelinha) in 2010, this year Casa Rex has been acknowledged in the Miscellaneous Company Literature category, for the visual identity that was created for the circle of debates about Contemporary Art and Education promoted by AEP – Art Education Productions.

Casa Rex's "Contemporary Art and Education" brochure interior

In order to develop the illustrations for the programme, Casa Rex made use of seventeenth-century engravings of imaginary animals, created to play with the illusions that people often have about contemporary art: “Generally the subject of contemporary art is viewed as being almost as strange as a seven-headed animal. The concept of portraying fictional animals has been used as a way of making light of these perceptions.” says Gustavo Piqueira, head of the agency as well as the creative director on the project, together with Samia Jacintho.

Casa Rex's "Contemporary Art and Education" Poster

The project has been selected as one of the winning entries out of more than 4000 submissions and it will be featured in the September/ October 2011 issue of the Communication Arts Magazine Design Annual 52 Awards (http://www.commarts.com/annuals/2011-Design/winners).

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Read Also:

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Trabalho Grafico no Bairro do Bexiga

Bruno R. Padovano, Suzana M. Sacchi Padovano and Alessandro Sacchi Padovano of Padovano Arquitetura em Rede Ltda received the Gold Medal at IDSA’s IDEA 2010 Awards in the Environments Category:

The urban painting project for the façades of houses and stores in the traditional São Paulo Italian district of Bixiga was developed to meet the requirements of the “Color São Paulo Program”, which is dedicated to preserving the city’s architectural heritage in districts of cultural, historic and commercial interest. The design proposal incorporated the traditional colors of Bixiga – green, white and red from the Italian flag – that were used on house and store facades covering a two block area. The greatest challenge posed by the design was to intervene in an urban context with a strong cultural heritage while taking into account the diversity of interests and preferences among local traders and residents.

via Urban Graphic Design for Bixiga Neighborhood (Trabalho Gráfica Urbana para o Bairro do Bixiga) | Industrial Designers Society of America – IDSA.

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• São Paulo’s Modern Art Museum “Brazilian Design Today: Frontiers”

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CR January: Made in Brazil

There’s a feature in our January/2010 issue (out 18 December) about São Paulo gallery Choque Cultural and its attempts to keep the tradition of letterpress Lambe-Lambe posters going by using Gráfica Fidalga to produce books and prints.

We thought it would be interesting to ask the workshop to create the artwork for our cover. Choque’s Baixo Ribeiro designed a layout using text supplied by us. We also gave him an EPS of the logo which the guys at GF made a stencil from and then routed out of a piece of wood.

For prints by Choque Cultural artists, check out the UK website here.

via Creative Review – CR January: Made in Brazil.

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• Roots: J. Borges (1935)

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Archives by Month:

Archives by Subject:

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Explore Brazil, from "Into Brazil" Project

IntoBrazil is a part of a master degree research done by the designer Pedro Brêtas at NCAD/The National College of Art and Design. This website allows users to create a virtual travel experience to Brazil and explore touristic cities.

Apart from the interesting experiment of customizing trips to Brazil, the site create a pretty rich immersion experience by capturing the Brazilian culture through visuals and sounds. Please note the beautiful watercolor illustrations and the amazing background music selection.

Porto de Galinhas, from "Into Brazil" Project

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Guaraná Jesus New Can received the Gold Medal at IDSA’s IDEA 2010 Awards in the Design Strategy Category

Leandro Pierucci, Leonardo Lanzetta, Daylton Almeida, Vanessa Freire, Fabiana Brito, Rodrigo Rabello, Mário Mendonça, Alexandre Coreixas, Roberta Loyola, Márcia Tabajara and Sônia Carolina Batista of Dia Comunicação received the Gold Medal at IDSA’s IDEA 2010 Awards in the Design Strategy Category for Guaraná Jesus New Can:

The Guarana Jesus soft drink brand is an icon in the northeastern Brazilian state of Maranhao. The drink is a local tradition in which Maranhao residents take great pride. Guarana Jesus consumers, sellers and even manufacturers were surveyed to create a marketing strategy which enhances brand identity. The new brand identity and can design were chosen through internet voting and SMS messages, with more than 12,000 votes collected. This marketing initiative generated high mobilization levels and the branding work helped to bring the Maranhao people together by strengthening their traditions. The can design chosen conveys the typical Portuguese colonial tiles found in the state capital city, Sao Luis.

via Lancamento da Lata Guarana Jesus (The launching of Guarana Jesus new can) | Co.Design.

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"São Paulo's Soccer Museum" by Jair de Souza Design and Fundação Roberto Marinho

Jair de Souza, Daniela Thomas, Felipe Tassara, Mauro Munhoz and Leonel Kaz received the Gold Medal at IDSA’s IDEA 2010 Awards in the Entertainment Category for Museu do Futebol:

São Paulo’s Soccer Museum is a multi-artform project combining architecture, curatorship, museography, art direction, multimedia and visual design. The Museum is situated within Pacaembu Soccer Stadium and tells Brazil’s history through soccer, while contextualizing and identifying this sport as part of the spirit and essence of Brazilian culture. Conceived as a multi-sensorial venue, the museum’s infrastructure is made up of LCD screens, back projection screens, LED panels, glass plates and aluminium, iron, steel and polycarbonate structures. The major curatorial challenge was to create a museum that would be both intelligent and exciting, moving away from the traditional concept of sports museums – no banners, trophies, pennants, soccer players’ shirts and shoes – without changing the stadium’s architecture.

via Museu do Futebol The Soccer Museum | Co.Design.

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Lürzer’s Archive features Brazilian superhero art in advertising

Art directed by Ricardo Peroza and copy written by Marco Pupo, the ads were illustrated by Brazilian comic book artist Joe Bennett. Born in Belém, Bennett has been working for Marvel Comics since 1994, on characters such as Spider-Man, Captain America, Fantastic Four, Silver Surfer, X-Men, Thor, Hulk and Conan the Barbarian, as well as for other major publishers such as Dark Horse, DC Comics and Vertigo, on characters as The Green Hornet and Teen Titans.

Lürzer’s Archive features Brazilian superhero art in advertising

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"Brazil: The Cultural Contemporary" at the Royal College of Art

The Royal College of Art in London held on January 21st 2011 the one-day conference Brazil: The Cultural Contemporary, as the result of research undertaken in Brazil in the previous year. According to Wired Magazine, the event aimed to inform a UK-based audience about the country’s visual culture, with a focus on areas of craft, design and social change.

Brazilian design writer and curator Adélia Borges, former director of the Museu da Casa Brasileira and design editor for the newspaper Gazeta Mercantil, presented the keynote lecture on Brazilian contemporary craft and design. Other speakers included Calouste Gulbenkian Foundation scholar Frederico Duarte, educator Kiki Mazzuchelli, graffiti specialist Tristan Manco, and Cristiana Tejo, coordinator of Education at Fundacão Joaquim Nabuco in Recife.

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• Rogério Duarte exhibition in Australia reviewed by UK’s Grafik magazine
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Luciano Deos to preside Cannes Lions 2011 Design category

Brazilian designer, architect and brand specialist Luciano Deos has been named Jury President for the Design category of the Cannes Lions 2011, the 58th International Festival of Creativity that takes place from 19 to 25 June at Cannes in France.

Founder and president of Brazilian branding agency Gad’ and current president of Abedesign, the Brazilian Association of Design Companies, Deos had won numerous awards at Cannes Lions, New York Festivals and IF Design.

He had previously served in the Cannes Lions Jury, as did other Brazilian professionals such as Fred Gelli, Eco Moliterno, Fábio Fernandes and Alexandre Peralta.

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• Luiz Carlos Barreto lifetime achievements highlighted in the New York Times
• Brazilian posters for the Green Movement in Iran
• Brazilian design featured on Computer Arts Magazine’s “Viva Brasil” article

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"Buy Prints Online" from Galeria Choque Cultural

We dropped by, and that is quite the with-it, street-artiste, Juxtapoz-style alternative gallery. And it’s in a neighborhood that is raging with giant street murals in a high underground-comix stylee.

*With its high-tech lowlife mix of keen design sense and grungola appropriated furniture, that place could be straight out of a novel. A Brazilian tupinipunk novel, presumably.

Projected to be a publishing house, Choque- as is called, ended up as a commercial QG of Brazilian young artists coming from graffiti, tattoo, graphic design, illustration and anything that speaks urban languages in Brazil.

In fact, Choque’s artists- composed of and eclectic mix of graduated designers and school drop outs, reflects today’s urban youth view on subjects involving social awareness, religion, vintage references, consumerism and today’s mutant urban feelings expressed in varied forms that goes from sculptures, abstract expressionisms to portraits of city sceneries, its people and its inner desires.

via Culture Shock Gallery, Sao Paulo | Beyond The Beyond.

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• Born in Brazil issue @ Wallpaper*
• Roots: ADG Brasil (Associação dos Designers Gráficos)
• Trabalho Gráfica Urbano para o Bairro do Bixiga wins Gold Medal from IDSA’s 2010 IDEA awards
• “Brazil Contemporary” Exhibition opens in Rotterdam, The Netherlands

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